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ISSUE NO. 2
August 2024
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Culture

Plays at Pentridge

The power of the spoken word in prison

Michelle Wright is a short story writer and novelist. She takes public tours of Pentridge Prison and has run creative writing workshops over several decades.

Program Cover, June 1982 Production at Pentridge

Melbourne’s Pentridge Prison still holds powerful memories for many thousands of people.

The prison’s towering bluestone walls were an imposing presence in Coburg, and almost all Melburnians have a story to tell about this notorious place.

My own connection to Pentridge dates from 1982, when I was 18 years old. At that time the prisoners in A Division had a theatre group called the Mess Hall Players. That year, they were putting on One Flew Over the Cuckoo’s Nest, an extremely powerful play set in a 1960s psychiatric institution in the US. There were several female roles in the play, and I was one of three young women who joined the theatre group to act alongside the prisoners.

We went into A Division every day for four months to rehearse and then perform the play. Over that time, we got to know the prisoners well and learned a lot about their lives and conditions inside. We saw them first and foremost as our fellow actors and almost forgot where we were until it came time to leave each evening, the heavy metal gates of A Division clanged shut behind us.

The play ran for five weeks, with audiences of about 200 people each night. It was a very professional production and got fantastic reactions from the public.

The most memorable performance for me was opening night, always a nerve-wracking time for the cast and crew. As per tradition, the audience that evening were the other A Division prisoners.  We’d never met them as they were already locked in when we arrived for rehearsals each afternoon. But the guys in the theatre group had obviously been telling them about us, and they were very excited about finally seeing us.

The lights came up for the opening scene and my fellow actress and I walked out onto the stage, completely unprepared for the reaction our entrance would provoke. The guys in the audience went wild – clapping, whistling, yelling and stomping their feet. The whole stage was shaking and we couldn’t hear a word of the lines we were saying. We forged ahead, but it was a pretty dramatic first few minutes.

In the final scene, the main character, McMurphy – a loud, confident and rebellious inmate – has been brought back to his room after being lobotomised. His friend, Chief Bromden, knowing McMurphy would rather die than be reduced to this state, decides to smother him with a pillow.

During this scene, every single man in the audience was absolutely silent. There was not a single sound in the entire theatre. And although the noise at the start of the play had been pretty impressive, that silence at the end was truly overwhelming. All these years later, the memory still gives me goosebumps.

While the Mess Hall Players, A Division and Pentridge are now history (Pentridge closed in 1997), plays are still being performed in prisons. I recently saw a performance of The Sky Chose Me at the Dame Phyllis Frost Centre in Melbourne. Somebody’s Daughter Theatre worked with the women to create and perform this moving, funny, thought-provoking play and the art exhibition that accompanied it.

Somebody’s Daughter Theatre has worked with women in Victorian Prisons and post-release to create theatre, visual art, music and film since 1980. The work they create together is stunning, and the impact they have had on these women’s lives over the past 40 years is immeasurable.

In Pentridge and at Dame Phyllis Frost, I’ve seen what a powerful impact the written and spoken word can have in prison, for those who perform and those who witness the performances. Here’s hoping that there will be many more opportunities like these in the future.

Melbourne’s Pentridge Prison still holds powerful memories for many thousands of people.

The prison’s towering bluestone walls were an imposing presence in Coburg, and almost all Melburnians have a story to tell about this notorious place.

My own connection to Pentridge dates from 1982, when I was 18 years old. At that time the prisoners in A Division had a theatre group called the Mess Hall Players. That year, they were putting on One Flew Over the Cuckoo’s Nest, an extremely powerful play set in a 1960s psychiatric institution in the US. There were several female roles in the play, and I was one of three young women who joined the theatre group to act alongside the prisoners.

We went into A Division every day for four months to rehearse and then perform the play. Over that time, we got to know the prisoners well and learned a lot about their lives and conditions inside. We saw them first and foremost as our fellow actors and almost forgot where we were until it came time to leave each evening, the heavy metal gates of A Division clanged shut behind us.

The play ran for five weeks, with audiences of about 200 people each night. It was a very professional production and got fantastic reactions from the public.

The most memorable performance for me was opening night, always a nerve-wracking time for the cast and crew. As per tradition, the audience that evening were the other A Division prisoners.  We’d never met them as they were already locked in when we arrived for rehearsals each afternoon. But the guys in the theatre group had obviously been telling them about us, and they were very excited about finally seeing us.

The lights came up for the opening scene and my fellow actress and I walked out onto the stage, completely unprepared for the reaction our entrance would provoke. The guys in the audience went wild – clapping, whistling, yelling and stomping their feet. The whole stage was shaking and we couldn’t hear a word of the lines we were saying. We forged ahead, but it was a pretty dramatic first few minutes.

In the final scene, the main character, McMurphy – a loud, confident and rebellious inmate – has been brought back to his room after being lobotomised. His friend, Chief Bromden, knowing McMurphy would rather die than be reduced to this state, decides to smother him with a pillow.

During this scene, every single man in the audience was absolutely silent. There was not a single sound in the entire theatre. And although the noise at the start of the play had been pretty impressive, that silence at the end was truly overwhelming. All these years later, the memory still gives me goosebumps.

While the Mess Hall Players, A Division and Pentridge are now history (Pentridge closed in 1997), plays are still being performed in prisons. I recently saw a performance of The Sky Chose Me at the Dame Phyllis Frost Centre in Melbourne. Somebody’s Daughter Theatre worked with the women to create and perform this moving, funny, thought-provoking play and the art exhibition that accompanied it.

Somebody’s Daughter Theatre has worked with women in Victorian Prisons and post-release to create theatre, visual art, music and film since 1980. The work they create together is stunning, and the impact they have had on these women’s lives over the past 40 years is immeasurable.

In Pentridge and at Dame Phyllis Frost, I’ve seen what a powerful impact the written and spoken word can have in prison, for those who perform and those who witness the performances. Here’s hoping that there will be many more opportunities like these in the future.

About Time Book Club: Archer’s Voice

About Time Book Club: Archer’s Voice

About Time Book Club: Archer’s Voice

By About Time
By About Time

This month, we’re reading Archer’s Voice, featuring our very own interview with the author, Mia Sheridan. Archer’s Voice is a New York Times bestselling romance novel. The novel centres on Archer Hale, a reclusive and mute young man with a troubled past, and Bree Prescott, a woman trying to escape her own traumatic history.

Culture

ISSUE NO. 5

7 MIN READ

Batman: Year One

Batman: Year One

Batman: Year One

By Grace J.
By Grace J.

First published in 1987, Batman: Year One follows Bruce Wayne returning to Gotham after 12 years away.

Culture

ISSUE NO. 4

4 MIN READ

Review of Songs Inside

Review of Songs Inside

Review of Songs Inside

By About Time
By About Time

Songs Inside received the Audience Award at the Adelaide Film Festival and Documentary Australia Award at the Sydney Film Festival. It’s touring around the country.

Culture

ISSUE NO. 13

2 MIN READ

Straight Outta Risdon – Bars Behind Bars

Straight Outta Risdon – Bars Behind Bars

Straight Outta Risdon – Bars Behind Bars

By Sara
By Sara

It takes real courage to grab the mic and share your story, especially in front of fellow inmates and complete strangers. Bars Behind Bars is more than a music program at Risdon Prison; it’s a creative outlet that’s uncovering raw talent and powerful voices.

Culture

ISSUE NO. 18

3 MIN READ

King 810: Music for Hard Times

By Stacey Stokes

King 810, a nu metal band from the USA, toured Australia in March. I went, and a lot of other criminals went too. There was even a few reintegration officers spotted in the crowd. Simply because, they strike a chord… with those who have lived hardship.

Culture

ISSUE NO. 23

2 MIN READ

Sauces to Transform Your Prison Meals

By Mark

Five recipes from inside.

Culture

ISSUE NO. 22

1 MIN READ

Sports Round Up!

By Goal Mouth

An overview of recent sporting events, including athletics, F1 and soccer.

Culture

ISSUE NO. 22

2 MIN READ

You Can Make Ice Cream in Prison. Here’s How.

By Geoff

All you need is eggs, cream, condensed milk and 24 hours.

Culture

ISSUE NO. 21

2 MIN READ

Help Us Keep Publishing About Time

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