Artwork From The Torch – Issue No. 21

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This is a story of Mob that walked from one end of this river to the other end, only stopping for food and water. The hands represent no hitting and violence, and for food and dancing only. The seven water holes represent where we got our water and the seven sisters.

This artwork represents my totem. Coming to jail has taught me more about my culture and the spiritual ways that we follow. When I paint, it takes me away from jail and that’s why I paint. My totem is my background, and I love who I am, Koori. Always Was Always Will Be.
This is a story of Mob that walked from one end of this river to the other end, only stopping for food and water. The hands represent no hitting and violence, and for food and dancing only. The seven water holes represent where we got our water and the seven sisters.

This artwork represents my totem. Coming to jail has taught me more about my culture and the spiritual ways that we follow. When I paint, it takes me away from jail and that’s why I paint. My totem is my background, and I love who I am, Koori. Always Was Always Will Be.
NAAJA has a 50-year history of serving Aboriginal Territorians as they navigate the justice system.
Tracy was one of many women released from prison straight into homelessness. Thanks to the Homeward Sisters program, Tracy was able to secure priority housing that meets her needs.
First Nations music legend Roger Knox has played everywhere from huge music festivals in the USA to the Sydney Opera House. But he says the shows that mean the most to him are the ones he played in prisons around Australia.
To celebrate NAIDOC week, we’re showcasing First Nations art submissions. We acknowledge the fierce First Nations people and Elders across the country advocating for justice.